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Kuhn and Gombrich: Creativity, continuity and discontinuity in science and art

Pinto de Oliveira, J. C. Kuhn and Gombrich: Creativity, continuity and discontinuity in science and art. [Preprint]

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Abstract

This paper discusses creativity, continuity and discontinuity in science and in art by drawing parallels between Kuhn and Gombrich. It seeks to show that, while the idea of strict cumulative progress in the history of science, as well as in the history of art, was abandoned as a new historiography emerged that was sensitive to ruptures, this does not imply denial of all continuity. However, continuity in this context is not a mere logical continuity, but rather a more complex theoretical and historical relation.


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Item Type: Preprint
Creators:
CreatorsEmailORCID
Pinto de Oliveira, J. C.jcpinto@unicamp.br
Keywords: Kuhn, Gombrich, history of science, history of art, creativity continuity, discontinuity
Subjects: General Issues > History of Philosophy of Science
General Issues > Philosophers of Science
General Issues > Theory Change
Depositing User: J. C. Pinto de Oliveira
Date Deposited: 07 Jan 2014 14:16
Last Modified: 07 Jan 2014 14:16
Item ID: 10167
Journal or Publication Title: The Paths of Creation - Sixto Castro & Alfredo Marcos (eds.)
Publisher: Sixto Castro & Alfredo Marcos (eds.) - Peter Lang
Subjects: General Issues > History of Philosophy of Science
General Issues > Philosophers of Science
General Issues > Theory Change
Page Range: pp. 215-231
URI: https://philsci-archive.pitt.edu/id/eprint/10167

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